Thursday, August 29, 2013

Putting the D Back in Codling Moth

I was under the impression that there was a bit of irony at work when someone decided to name my most hated garden pest after a word, “coddle”, which means to treat tenderly; pamper even.

Because I can assure you that I do not want to tenderly stroke the slimy looking back of the codling moth larva.  I do not wish to pamper the frass-producing worms.  In fact, when I think about them, I think of them more as the brown and smelly stuff that fills children’s Pampers. 

I despise the codling moth and everything about it, even its name. 

Photo from Wikipedia

But, of course, I was wrong about the name.  There are two “d’s” in coddle and the codling moth has just one “d”.  If I had to guess, I’d say that the codling moth ate that other “d” just like they do everything else.

A not so quick research project of mine (i.e. a few keystrokes on Google and lots and lots of reading about how hard it is to control these buggers) revealed that the moth earned its name after attacking an old varietyof cooking apples called English Codling apples.  

This picture shows the stark contrast between an apple infested and one that will be infested.
Many of the publications I have consulted report that a bad infestation of the codling moth can reduce a crop by 90%.  In the case of my tree, I’d say that’s been pretty close to accurate.  So, this year the codling moths get an A.  I’m hoping next year that I’ll be able to give them that D they’ve been missing and get the destruction down in the 60% range. 

One day's worth of spoiled fruit picked from the tree and lifted from the ground.
Because I’m trying to garden with as few chemicals as possible (and because chemical control in this case depends almost entirely on exactly correct timing) I plan to combat the codling moths in a variety of ways:

First, I’m removing all of this year’s crop.  I will remove the remaining apples, bag them up, and throw them away.  That should decrease the number of moths that overwinter in my yard.

Hungry?  Me neither.  

Second, I’ll try cardboard banding the trunk of the tree.  The larvae will frequently crawl up and hide in the corrugated ridges of the cardboard so you can remove the cardboard after a few days and throw it away too.

I will try hanging a few pheromone traps to kill the moths and disrupt the mating cycle and I think I will move a bird feeder to a neighboring tree since birds are a natural predator of the codling moth. 

I will also try bagging the apples to prevent them from getting attacked in the first place.  It’s going to look strange having a tree with 200 brown paper lunch bags hanging from it but maybe I can try to convince my daughter that it’s not an apple tree, it’s a Lunch Bag Tree.    

If you have any tips or tricks on how you’ve handled codling moths, I’d love to hear them.  I’ve done a lot of reading on this and it seems like a pretty daunting task which is why I’m not aiming for anywhere near total eradication.  

I need a macro lens for my camera but perhaps you can still make out the worm in the middle of the picture.

Wednesday, July 24, 2013

Depressing Videos About Edibles

I seem to keep stumbling upon YouTube videos that leave me feeling discouraged and depressed about the uphill battles faced by both commercial growers and backyard gardeners.  I was introduced to this first video while visiting Gardening Along the Creek:


I don't often make political comments on this blog, but I can't refrain from stating that I believe without a shadow of a doubt that taking 47% of a farmer's crop without compensating the farmer is wrong.

The next depressing video is about Cavendish bananas - the type of banana that we all eat today (and is also, surprisingly, WalMart's #1 selling product!).  Until sixty-plus years ago we ate a type of banana called Gros Michel but it was wiped out by a fungal pathogen which caused Panama Disease.  And now, apparently, that pathogen has developed a strain that affects the Cavendish and could destroy the world's crop if we don't find a way to stop Panama Disease first.


And how about Citrus Greening which started killing citrus trees in Florida in 2005 and has now infected nearly half the trees in the state and has spread to many other states?  Have you heard of this?


This issue has literally hit quite close to home as it now spreading in California and could soon arrive in my own backyard according to this article in the New York Times.

And if all those don't make you cranky enough, how about fears that our coffee beans are at stake thanks to Coffee Leaf Rust?  There are several good articles on this topic on the internet but this one from the Atlantic does a nice job at pointing out the paradox of how organic coffee might, in this case, be doing more harm than good for coffee plants as a whole.  


I am thankful for the smart people out there that are working on solutions for these problems.  Hopefully some of them will have some good news to share with us in the coming years.

Saturday, July 20, 2013

Writing Someone Else's Story

Moving into someone else’s house and making it your home feels like sitting down at a keyboard to finish a story someone else started writing.  Except that all you have to work with is the very last chapter they wrote – the leftover stuff you see today.  You can only guess what those initial chapters contained.

You look for clues that might suggest a motivation or an explanation.  You try to piece together a history from tactile bits of information like the dated color of an old toilet or the design of a windowsill that looks out of place; you recall details in the mortgage documents: names and dates, property lines, easements; or progressive lines scratched into molding marking the growth of the boys that used to share your daughter’s room. 

The door jamb needs repainting but we've held off, preserving recent history.

You find that with some of those leftover plot devices you want to honor its history and build it into your part of the narrative.  But you also discover that the plot needs to move forward and things have to change. 

One of my college professors said that the key to writing good fiction is to make normal people do things that normal people wouldn’t normally do.  In this story, I will have to be the one doing the things that normal people wouldn’t do in order to make it my story, my home. 

I will have to take the workshop that was built by the man who first bought this house and who fathered six daughters and turn it into a game room, or a cigar lounge, or a part-time gym . . . all of these being things that might make that man roll over in his grave.  

The shop has been a catch-all for things without a place inside.

I will have to take the shed that was put here by the last couple so they could store their lawn mower and turn it into a potting shed that will do a better job at setting the scene now that a gardener has come to live here. 

There's room to move around in here and use this as a potting shed
but only  after I find a better home for the mower and my garden cart.

My former garden was filled with potted plants.  I now have dozens of pots, barrels and containers that are unused and need to be written into the landscape or deleted entirely.

I will continue to edit out the trees that don’t belong and the plants that were only meant to be passing background characters. 

For now I have chosen to leave the mysterious lines of concrete in the yard because they say something to me about the history of this place and provide a framework for what might come next.  Maybe these solid relics will become the obstacle my character will have to overcome, or the boundary markers in a child's game of tag.  

These concrete lines span the width of our yard.  I wonder if they once marked the edge of our property.

Other sections of concrete baffle me entirely.  For what were these intended so many years ago?

I will leave the vegetable patch where it is even though it is no longer the sunniest place in the yard because I think it needs to be where it is for reasons I don’t understand myself.  Its weedy state could be the foundation for a tale of a rebirth that could parallel my own life somehow. 

Very gradually, I imagine, the days will come when the things I see will say more about my family’s presence here than the ghosts knocking around this place.  And eventually, many years from now, I’ll come to that last chapter and even though all the stories before it will go missing, I hope the next person picks up on our clues and writes the next chapter and does the things I wouldn't do.